In the Hall of the Mountain King (theme, arranged for beginners)

Edvard Grieg (Peer Gynt Suite No. 1, Op. 46 No. 4)

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In the Hall of the Mountain King (theme, arranged for beginners), opening bars - piano sheet music
Composer
Edvard Grieg (Peer Gynt Suite No. 1, Op. 46 No. 4)
Arrangement
Musicanyya practice material
Level
Beginner
Key
A minor
Metre
4/4
Tempo
84 BPM
Length
16 bars, about 1 minute
Hands
both

Trains

Grieg's creeping theme in A minor: steady eighth notes over held chords of A minor and E major. Start quietly, keep the eighths even and a little detached, and let the long notes ring.

How to practise it

  • The theme is steady eighth notes over one held A minor chord. Start at 50 BPM with the Metronome and keep every eighth the same length, a little detached.
  • Bar 2 is the tricky one: D-sharp, B, D-sharp, then D, B-flat, D, so the same note changes from sharp to plain within the bar. Loop bars 1-2 until you read it without stopping.
  • At the end of bar 4 the tune drops to a G held for two beats. Use that time to move your hand down to the E that starts bar 5, and loop bars 4-5 until the move is calm.
  • Bars 5-12 repeat almost the same two-bar figure four times over an E major chord, with G-sharp all the way. Once bars 5-6 are secure, most of this part is learned.

Where this score came from

Arrangement for this app (CC0)

Melody from The University Society, 1918 (https://www.mutopiaproject.org/cgibin/piece-info.cgi?id=1888), public domain; left-hand chords our own (CC0)

Changes from the source: Left-hand block chords are our own (CC0). Transposed from B minor to A minor, and up into the right hand's register (Grieg starts the theme deep in the bass). Slower: quarter = 84 instead of Grieg's 138, and without his speeding up. The left hand holds A minor under the theme, where Grieg's bass moves to the C major chord in its last bar, and E major under the answer, where his bass moves between E and C. The source's bars 6-17 and 22-25; the bars between are left out. Bars 9-12 are an octave lower than in the source: Grieg repeats the answer an octave higher; here it stays where the hand already is. Bar 4: the bar goes down G-E-C (Grieg's fourth eighth, E, is left out) to the lower G of Grieg's octave, a quarter note before it, so the hand has time to move to the answer below. Bar 16: the tune ends on A, the key note, instead of G: Grieg's tune goes on.

Other versions

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