Edvard Grieg (Peer Gynt Suite No. 1, Op. 46 No. 4)
Grieg's creeping theme in A minor: steady eighth notes over held chords of A minor and E major. Start quietly, keep the eighths even and a little detached, and let the long notes ring.
Arrangement for this app (CC0)
Melody from The University Society, 1918 (https://www.mutopiaproject.org/cgibin/piece-info.cgi?id=1888), public domain; left-hand chords our own (CC0)
Changes from the source: Left-hand block chords are our own (CC0). Transposed from B minor to A minor, and up into the right hand's register (Grieg starts the theme deep in the bass). Slower: quarter = 84 instead of Grieg's 138, and without his speeding up. The left hand holds A minor under the theme, where Grieg's bass moves to the C major chord in its last bar, and E major under the answer, where his bass moves between E and C. The source's bars 6-17 and 22-25; the bars between are left out. Bars 9-12 are an octave lower than in the source: Grieg repeats the answer an octave higher; here it stays where the hand already is. Bar 4: the bar goes down G-E-C (Grieg's fourth eighth, E, is left out) to the lower G of Grieg's octave, a quarter note before it, so the hand has time to move to the answer below. Bar 16: the tune ends on A, the key note, instead of G: Grieg's tune goes on.
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